What is Phexxi? According to the product website, Phexxi is a nonhormonal vaginal gel that “works to prevent pregnancy by altering the pH of your vagina, which is different from hormonal birth control.” Its primary ingredients are lactic acid, citric acid, and potassium bitartrate (the last ingredient is better known, at least to cooks, as “cream of tartar”). In May 2020, Phexxi filed for trademark protection and received FDA approval; the product went on sale in the US in September 2020. An ad campaign—notably a 60-second video that urges women to “get past your compromises and get Phexxi”—launched in early February 2021.
Screen grab from the 60-second ad
Does Phexxi work? Its parent company, Evofem Biosciences (“Science with a Soul”), says that in clinical trials “with perfect use,” the gel is 93 percent effective in preventing pregnancy. As for the Phexxi name—well, let’s talk about it.
The economic downturn that followed the 2008 financial crisis became known as a mancession: a recession that disproportionately affected men. (I wrote about it in August 2009.) The COVID-19 recession, by contrast, is having a disproportionate impact on women, but no one’s calling it a womancession.
“‘Shecession’ hits women’s finances”: Los Angeles Times, May 9, 2021, Page A1
OK, not “fetch,” exactly. The thing that’s been made to happen is a made-up word: cheugy. As with “fetch,” though, the word’s inventor was a high school girl, and the people spreading, defining, and discussing it are young women. Unlike “fetch,” which in the 1997 2004 film Mean Girls was supposed to mean “cool” or “desirable,” cheugy is the opposite: out of date, trying too hard, inauthentic.
It’s not quite “basic,” which can describe someone who is a conformist or perhaps generic in their tastes, and it’s not quite “uncool.” It’s not embarrassing or even always negative. Cheugy (pronounced chew-gee) can be used, broadly, to describe someone who is out of date or trying too hard. And while a lot of cheugy things are associated with millennial women, the term can be applied to anyone of any gender and any age.
(It’s closer to CHOOG-ee. Here’s a pronunciation guide from the hypnotic #EnglishWithJulien.)
Cheugy was coined by Gaby Rasson in 2013, when she was a student at Beverly Hills High School. Now 23 and a software engineer, Rasson told Lorenz that she’d “wanted a way to describe people who were slightly off trend”:
“It was a category that didn’t exist,” she said. “There was a missing word that was on the edge of my tongue and nothing to describe it and ‘cheugy’ came to me. How it sounded fit the meaning.”
What sort of sound symbolism did Rasson have in mind? That remains unclear, as does any specific meaning of cheugy. (It has “slight negative connotations,” Lorenz reports, but is also “totally open to your interpretation,” according to one of her sources, another 23-year-old woman.) It may be worth pointing out that similar-sounding slang terms have been circulating for decades. A 1997 commercial for Sprite poked fun at a fictional soda brand, “Jooky,” the antithesis of Sprite’s authentic flavor. The Dictionary of American Regional English (DARE) recorded a 1968 citation for chookee in Louisiana: “a country hick”; the author Shelby Foote, who was from Mississippi, used chookie in his 1977 novel September September: “One of those hungry little nineteen-year-old chookies—hair ironed flat, pullover sweater a couple of sizes too small, white socks.”
Cheugy spread among Rasson’s friends, and then to their friends. Someone called @cheuglife posted a definition on Urban Dictionary on November 8, 2018.
Cheugy finally went mainstream (-ish) when 24-year-old Hallie Cain, aka @webkinzwhore143, posted a TikTok about the word on March 30. Cheugy, Cain told her 4,000+ followers, “is the opposite of trendy … it’s used when someone follows these out-of-date trends.” The following day, Cain defended cheugy against accusations of “classism”: “Really expensive designer things can be cheugy, the same as inexpensive things can be cheugy,” she insisted.
Some people love cheugy.
Oh man, "cheugy" is a wonderful word. Thank you SO much Gen Z, once again, for finding the perfect word for a feeling I've been trying to put my finger on for 15 years.
There’s also a backformed noun: a person who’s cheugy is a cheug.
Discovering chuegy reminded me of two things: 1. Girls and young women are constantly inventing slang, and hurrah for that. 2. A lot of that slang is designed to police one’s peers: Who’s out? What’s ugly? Who should we shun? Girls need to keep tabs on that stuff, and it takes a long time to outgrow the need.
The cheugy of my own Los Angeles adolescence was sosh, pronounced with a long O. It was a vague put-down; in my junior high school, girls were constantly rolling their eyes and saying so-and-so was such a sosh. (In my memory, boys never used the word.) It apparently was clipped from social, but I never figured out why “social” was a bad thing to be, or what sosh really meant. As far as I could tell, it had something to do with trying too hard, which overlaps with cheugy’s connotations. And if there’s one thing a girl or a woman must never do, it’s look like she’s trying too hard; just ask Hillary Clinton. Fortunately, I eventually went on to high school, where there was a whole new set of vocabulary words, and customs, to master.
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Related: An excellent word invented by a teen girl: bershon.
Over the last month I’ve looked at political ads from two recently formed advocacy organizations: the anti-Trump Republican group The Lincoln Project (“Mourning in America”) and the progressive group Meidas Touch (“Looters”). Today I’m turning the spotlight on a third organization, Republican Voters Against Trump (RVAT), which launched in May 2020 with $10 million for targeted advertising on social media and Fox News. RVAT is a project of Defending Democracy Together (DDT—maybe an intentional evocation of the notorious pesticide, maybe a coincidence)—whose leaders include big-name conservatives such as Bill Kristol, Christine Todd Whitman, Linda Chavez, and Sarah Longwell, who was recently profiled in the New Yorker.
RVAT has been churning out ads featuring people who voted for Trump in 2016 and intend to vote against him in 2020. “Rather than showing President Trump saying deranged things or listing his missteps,” observesWashington Post opinion writer Paul Waldman, “we hear from a Republican voter who has turned against him.” There are dozens of these first-person stories on the RVAT YouTube channel (and you can record your own, if you’re so inclined). But the ad I want to talk about here is a more conventional attack ad—with some distinctive twists.
This month’s book recommendation is I Like to Watch (2019), by the Pulitzer Prize–winning television critic Emily Nussbaum. The book collects a decade’s worth of Nussbaum’s reviews and essays for the New Yorker and other publications, including one written especially for the book. Nussbaum is such a good writer that she made me care about shows that hadn’t appealed to me (I’ve watched exactly one episode each, for example, of “The Sopranos,” “Buffy the Vampire Slayer,” and “Lost”). And she made me care even more deeply about subjects I was already drawn to, like the complicated career of Joan Rivers and the way the 2016 presidential election made “jokes” unfunny. (You can read the jokes essay—one of the best pieces of writing to come out of that twisted season—here.)
This year marks the 100th anniversary of the 19th Amendment to the US Constitution, which gave women the right to vote. My February column for the Visual Thesaurus looks at the linguistic legacy of the long, persistent effort that led to the amendment.
Full access to the column is paywalled for three months. A subscription is still just $19.95 a year; if you’re hesitating, here’s an excerpt:
Pronouns played a surprising role in the right-to-vote fight. For centuries, grammar guides had insisted that the masculine pronouns he, him, and his were “inclusive” or “generic” — that is, they referred to women as well as to men. This assumption “has even been enshrined in British and American law,” writes Dennis Baron in his new book, What’sYourPronoun?, adding that “both the UK Act of Interpretation (1850) and the US Dictionary Act (1871) declared that, in the law, words referring to men also include women.” But only when it was convenient to do so and when “the context shows that such words were intended to be used in a more limited sense,” as the Dictionary Act put it. Suffragists seized on this contradiction to argue for their rights. “If you insist on this version of the letter of the law, we shall insist that you be consistent,” the pioneering suffragist Susan B. Anthony argued in 1873: Government should “exempt women from taxation for the support of the government, and from penalties for the violation of laws.” In the end, Baron writes, women in both the UK and the US “won the vote without any explicit legal concession that he includes she.” The 19th Amendment includes no pronouns at all — only the neutral word “citizens.”
2020 is the centennial of the 19th Amendment to the US Constitution, which prohibits the states and the federal government from denying women the right to vote. The amendment was finally ratified by the required 36 states—Tennessee was the final one, after a hard-fought campaign—in August 1920, 42 years after it was first introduced in Congress.
Small groups of American women had been organizing and fighting for the right to vote since the 1830s. (Before the American Revolution, women in some colonies could vote.) In 1870, after African American men won the vote through the 15th Amendment, the word suffragist—which earlier in the century had been a generic term for any advocate for voting rights—began to be associated specifically with those who advocated for woman suffrage by peaceful, lawful means. The OED’s earliest citation for this usage, in a May 13, 1870, edition of the Boston Post, is typical of the mocking tone that would persist for decades in discussions of women’s rights: “A lady suffragist out West brands as slanderous the charge that strong-minded women have big feet.”
“Looking Backward,” an anti-suffrage illustration by Laura E. Foster. The steps lead away from love, marriage, and children and toward suffrage, strife, anxiety, and loneliness. Published in Life magazine, August 22, 1912. From the collections of the Library of Congress.
A study of 597 logos found that “descriptive logos more favorably impact consumers’ brand perceptions than nondescriptive ones, and are more likely to improve brand performance.” (Harvard Business Review)
Old descriptive logos (left) vs. new nondescriptive logos (right).
A few years ago I noted the proliferation of girl-y book titles: Gone Girl, How to Build a Girl, Not That Kind of Girl, et al. (not to mention The Girl with the Dragon Tattoo and her multiple avatars). The trend flattened out for a while, but lately it’s burst back, more robust than ever, in plural form. Where the earlier literary crop tended to favor self-reflective memoirs or novels with complicated protagonists, the new girls in town are historical and come in groups or crews; in one way or another, they made history en masse.
All this autumn, the stories have been tumbling out: about sexual harassment, sexual “misconduct” and, in some cases, actual rape, perpetrated by men in positions of power. Men in Hollywood (Harvey Weinstein, Louis C.K., Kevin Spacey), men in the media (Mark Halperin, Leon Wieseltier, Michael Oreskes), men intech (Uber, SoFi, Tesla), men in politics (Roy Moore, Donald Trump). The stories have been told by famous women, by almost-famous women, and by non-famous women who took to Facebook and Twitter, sometimes revealing no more than the #MeToo hashtag.
There has been shock, anger, and even backlash. Overwhelmingly, though, there has been a demand for reckoning.
Kingdoms of Amalur: Reckoning, a role-playing video game released in 2012.
