Fritinancy

Word of the week: Pink

When I Googled “Barbie movie” yesterday, my screen blushed pink, with the Google wordmark standing out in darker pink.

 

Thanks to the movie-based-on-a-doll that opened last weekend, pink is the unofficial color of the year. It’s there in the bubble-gum-hued capital B on the movie poster.

It’s even the title of Lizzo’s contribution to the soundtrack.

“When I wake up in my own pink world / I get up outta bed and wave to my homegirls…”

 

I haven’t yet seen the film, but I’ve read thousands of words about it—enough to know that pink is its “signature vibrant aesthetic,” as Scientific American put it. (SciAm was interested in the psychological angle. “If Barbie was exposed to a single color her whole life, she wouldn’t necessarily register the world as pink but would instead likely see it as gray or neutral,” the magazine reported.)

I did my own research into pink and came up with these findings:

June linkfest

A quick audiobook recommendation: I thoroughly enjoyed So Many Steves: Afternoons with Steve Martin, a series of conversations between Martin and his longtime friend the New Yorker writer Adam Gopnik. (Gopnik is everywhere, isn’t he? He was also “in conversation with” the fictional Lydia Tár in last year’s Tár.) Martin, who will turn 78 in August, has spent more than 60 years plying his various trades: magician, musician, comedian, actor, novelist, librettist. Gopnik elicits charming stories and surprising revelations, and gently nudges Martin toward a discussion of craft and motivation. The book—audio only, with some delightful banjo music—is available from Pushkin Industries and the usual online merchants. Or, if your public library supports the Libby app, you can borrow it free for three weeks. (By the way, the title is a twist on the E.E. Cummings poem “So Many Selves.” Martin is a big fan of Cummings, it turns out.)

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New writing on Medium: How BlackBerry got its name

BlackBerry, the new feature film from writer/director Matt Johnson, opens in theaters on May 12. I saw it last month at the San Francisco International Film Festival, at Lucasfilm’s Premier Theater in the Presidio. (Driving directions specify “Look for the Yoda fountain.”) I enjoyed it a lot, and I bet you will too, especially if you loved your BlackBerry as much as I loved mine.

Blackberry 7280, circa 2003

 

I did notice one missing plot point, and so my latest story for Medium, “How the BlackBerry Got Its Name,” fills in the gap. Click your little keyboard to read the story and then tap the clap icon if you liked it—up to 50 times per story! That link will give you a free pass, but if you want more goodies, you can join Medium with my referral link.

April linkfest

A personal plug: I have a couple of new stories on the EatDrinkFilms site about an upcoming screening, with live orchestral accompaniment, of the classic silent film Pandora’s Box (1929). Pandora’s Box was made in Germany, but it starred a young American actress, Louise Brooks, whom the film historian David Thomson has called “one of the most mysterious and potent figures in the history of the cinema.” Read my story about Pandora’s Box and the sidebar about Club Foot Orchestra, the remarkable ensemble – now celebrating its 40th anniversary – that created the score for the film and will perform it, along with students from the San Francisco Conservatory of Music, on May 6 at Oakland’s Paramount Theater. The event is being presented by the San Francisco Silent Film Festival. Hope to see some of you local cinephiles there!

Louise Brooks as Lulu with Gustav Diessel as an anachronistic Jack the Ripper. Her hairstyle had lasting influence.

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I’ve been enjoying “Stiffed,” a podcast – not to be confused with Mary Roach’s book Stiff or Susan Faludi’s book Stiffed, both of which I also recommend – about the rise and fall of Viva, an erotic magazine for women that briefly flourished in the 1970s. Founder/publisher Bob Guccione died in 2010, but host Jennifer Romolini managed to interview his son, Bob Jr., as well as many of the women who worked at Viva and tried their damnedest to inject feminism into the mix. Related: my March 2022 post about “Minx,” which name-checks Viva and also rival Playgirl, for which I was a contributing writer..

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Another podcast worth your attention: A Way with Words, hosted by Grant Barrett and Martha Barnette. The April 16 episode examined, among other topics, why Southern Californians insert “the” before freeway numbers (“take the 405 to the 5”) and whether there’s such a thing as a “neutral” accent.

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“We are currently in the midst of a radical reinvention of English. Not perhaps since the 15th, 16th and early 17th centuries has the English language shifted faster, with the rapid introduction of loanwords (borrowed from other languages), neologisms, buzzwords, slang and a host of acronyms.” (Steven Mintz for Inside Higher Ed)

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Word of the week: Beef

The new 10-episode Netflix series Beef, created by Lee Sung Jin and starring Ali Wong and Steven Yeun, debuted on April 6. Official synopsis: “A road rage incident between two strangers — a failing contractor and an unfulfilled entrepreneur — sparks a feud that brings out their darkest impulses.”

Here’s the official poster. My brother Michael reports that he spotted a giant version of it on a wall in Hollywood across the street from the Netflix offices.

There also are versions of the poster that omit the middle fingers and depict only the protagonists’ profiles.

 

In an unrelated coincidence, beef (= feud) also popped up several times in my Twitter feed last week. So let’s talk about what it all means.

March linkfest

A link of my own to kick things off: I wrote for the Strong Language blog about a product name I was surprised (to put it mildly) to encounter in a family-owned, family-friendly grocery store in Berkeley, California.

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I also continue to publish about once a week on Medium, a platform that actually pays me! This week’s story is about Pepsi’s new logo—and the logo that preceded it, back in 2008 (friend link), which the branding agency sold with a totally bonkers presentation. If you’re not a Medium member, use this referral link to join. Yes, there’s a fee, but you’ll gain access to lots of other good writers, too. And maybe you’ll want to start publishing there yourself, and you’ll be glad you made this tiny investment.

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For more than a century, the New York Times’s nameplate included a period. Then, one day in 1961, it was gone. “Dropping the period caused much consternation and soul-searching at the Times, until finally the production manager came up with the calculation that eliminating the period would save some $600 a year in ink!” (Steven Heller for Print Magazine)

The final full stop?

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New from me on Medium: All about Oscar

How did that gold-plated statuette get its name? I dive into the theories—is “Oscar” industry jargon for “oscillation”?—and pick a favorite, just in time for the 95th Academy Awards ceremony on March 12.

Read All about Oscar (friend link)

Word of the week: Catch-22

You don’t need me to explain catch-22: It’s been part of our vocabulary for more than 60 years. A catch-22 is “a paradoxical situation from which an individual can’t escape because of contradictory rules or limitations.”

Catch-22 comes from Joseph Heller’s 1961 novel of the same name, published in 1961 and set during World War II; it was made into a 1970 movie (directed by Mike Nichols) and a 2019 miniseries (starring, among others, George Clooney). The novel has never been out of print.

In the novel, Doc Daneeka, an army psychiatrist, explains that “anyone who wants to get out of combat duty isn’t really crazy” and therefore can’t plead mental illness as grounds for discharge:

There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind.

Word of the week: Paparazzo

The death, on April 30, of the American photographer Ron Galella brought the fun-to-say Italian borrowing paparazzo back into the news. Galella, who was 91, was a “paparazzo extraordinaire,” the Telegraph and the Guardian headlined. “He personified the paparazzi,” the New York Times obituary reported, using the plural form: “brazen and relentless in chasing the famous, particularly Jacqueline Kennedy Onassis.”

Galella himself proudly accepted the title of “paparazzo extraordinaire,” appropriating it for the title of his 2012 memoir.

Advertisement for a 2012 book-signing event for Ron Galella: Paparazzo Extraordinaire via New York Gossip Gal.

What we talk about when we talk about abortion

Because that’s what we’re talking about this week. Don’t worry, though: I’m going to stay in my lane. Mostly.

In case you’ve been tuning out the news, and who could blame you: On Monday, a leaked draft of a Supreme Court opinion, written by Justice Samuel Alito for the majority in Dobbs v. Jackson Women’s Health Organization, confirmed what many of us have been gloomily anticipating for years: that the precedents established in Roe v. Wade (1973) and Planned Parenthood v. Casey (1992), long considered settled law, are about to be jettisoned. “The immediate impact of the ruling as drafted in February would be to end a half-century guarantee of federal constitutional protection of abortion rights and allow each state to decide whether to restrict or ban abortion,” wrote Josh Gerstein and Alexander Ward for Politico. 

Here’s what “allowing each state to decide” can mean: Twenty-three states already have laws that could be used to restrict legal access to abortion. Under a state law passed by the Texas legislature in September 2021, abortions are prohibited after six weeks of pregnancy, before many women even know they’re pregnant. “The law empowers private citizens to sue anyone who ‘aids or abets’ a prohibited abortion,” the Texas Tribune reported in March 2022. “Those who sue could be awarded at least $10,000 if they win.”

Snitches get riches, in other words.

I believe abortion is health care. I support abortion access for anyone who needs it. But I’m not a lawyer or a legislator, so I’m using this platform to share some resources about my own specialty: language, messaging, and branding, all of which have played, and continue to play, outsize roles in the ongoing fight for safe and legal abortions.

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