Fritinancy

January linkfest

I’ll get to the regularly scheduled links in a bit, but I wanted to lead off with some recommendations from my 2019 media diet (a term I’ve borrowed from Jason Kottke, whose blog always makes for tasty consumption).

All over the place

I suppose it was inevitable that the 2018 post-apocalyptic horror film A Quiet Place, which was shot on a relatively small budget and subsequently made a boatload of money, would require a sequel. And so it has come to pass that A Quiet Place Part II will open in theaters in March. (Tiny spoiler: There’s more out there than the noise-hating creatures.)

As I watched the trailer I started thinking about (a) the unimaginativeness of the title, which suggests an unimaginative sequel; and (b) how popular the word place is in movie and television titles. And it isn’t just a recent fad: the trend goes back decades.

Brands of the decade: 2010–2019

Ten years ago, when social media and blogging were still new and a rational person was in the White House, I did something ambitious and presumptuous: I published a list of the Brands of the Decade.*

And now it’s time to do it again.

To qualify for my highly subjective top-12 list, a brand had to meet these guidelines:

• Founded during the second decade of the 21st century or shortly before or
• Had a significant impact on the way we do business or live our lives during this decade or
• Consistently made headlines during the decade (for better or worse).

Because I’m a name developer, I gave a little extra weight to brands with interesting or influential names.

A message to sticklers: Yes, I know that actually a decade begins in a year ending in 1, not 0. SORRY.

In alphabetical order, then:

November linkfest

The wildfires have barely been extinguished here in California, but it’s already word-of-the-year season across the pond, where three prominent dictionaries chose words or phrases with a common theme: climate change, or preventing it. Cambridge Dictionary went first, with upcycling: “the activity of making new furniture, objects, etc. out of old or used things or waste material.” Collins Dictionary chose climate strike: “a protest demanding action on climate change.” And Oxford Dictionaries picked climate emergency from an all-environmental shortlist that included “climate action,” “climate denial,” “eco-anxiety,” “extinction” and “flight shame.”

Let the record show that lexicographer Jane Solomon, recently of Dictionary.com, spotted the trend back in September.

So @OxfordWords picked ‘climate emergency’ for their 2019 Word of the year. And @CollinsDict picked ‘climate strike.’

In September I suggested ‘climate crisis.’

Clearly lexicographers are all on the same page about this. https://t.co/75klqC7c6e

— 〰️Jane Solomon〰️ (@janesolomon) November 20, 2019

*

Let’s hear it for the boys

I’ve been watching The Boys on Amazon Prime, and along with enjoying the clever conceit (superheroes as corrupt bad guys controlled by an evil mega-corporation) and the dash of Brit slang and swearing (shufti, dekko, chuffed, lots of casual cunts), I’ve been thinking about the title. The show is based on a graphic-novel series that I’ve never read, and maybe “boys” is more overtly explained there, but on the show we’re left to infer that The Boys are the good-guy squad, even though one of their number is a young woman.

 

They aren’t the only capital-B Boys trending in popular-culture titles right now. Although less robust than the ongoing Girl/Girls title phenomenon (see my posts from 2015 and from 2018), “Boy/Boys” is still a trendlet worth noting.

Word of the week: Farmageddon

It’s a book! It’s a movie! It’s a brewery! (Two breweries, actually.) It’s an impending economic catastrophe, or maybe two catastrophes!

I spotted the economic-disaster farmageddon, a portmanteau of farm and Armageddon, in a tweet-reply to short-term Trump adviser Anthony Scaramucci.

What gain? He's s failure by virtually all standards. We're in a manufacturing recession; and tariff infuced Farmageddon

— Jossy (@Unitedshashe) August 12, 2019

 

Pretty big little tiny lying things

The news that Tiny Pretty Things, the 2016 YA novel about ballet students by Sona Charaipotra and Dhonielle Clayton, is being made into a 10-episode Netflix series sent me into a free-association reverie.

“Black Swan meets Pretty Little Liars.” – Amazon. The sequel (2017) is titled Shiny Broken Pieces.

Word of the week: Intimacy director

Just for my own amusement, I keep a list of job titles that didn’t exist until relatively recently. Most of them are in technology fields: Customer success manager. Code sensei. Scooter juicer. Operations Jedi.

One recently created job, however, depends not on technology but on psychology and stagecraft. Intimacy directors—the title appears to have been invented around 2016 by the founders of Intimacy Directors International, although the discipline was developed about 15 years ago—work with theater actors to choreograph “moments of staged intimacy in order to create safe, repeatable, and effective storytelling,” according to IDI’s website. (Their counterparts in television and film are called intimacy coordinators, and play similar roles in “scenes containing intimacy, simulated sex, nudity or high emotional content.”)

Un-titled

I’ve finally gotten around to watching “Unforgotten,” the British detective show, now on Netflix, starring Nicola Walker (whom I liked a lot in “Last Tango in Halifax” and the National Theatre’s brilliant Curious Incident of the Dog in the Night-Time). Something about the title jogged my memory: It felt like I’d been seeing a lot of un- titles and names lately. So I did some digging. And I was right.

How 137 Films got its name

Last Sunday, at the San Francisco International Film Festival, I saw the world premiere of a fascinating and disturbing documentary, We Believe in Dinosaurs, about the building of the Ark Encounter, a $102 million pseudoscientific tourist attraction in Williamstown, Kentucky. (You can read about the Encounter’s 2016 opening and about Ken Ham, the “creationist” zealot behind the endeavor, here.)

The film doesn’t yet have a distributor, so I can’t tell you where it will play next. What I can tell you is the story of 137 Films, the production company that made We Believe in Dinosaurs. It’s one of the best how-they-got-that-name stories I’ve read, and certainly one of the best numeral-as-name stories.

137 Films logo