The official Trump typeface – as seen on hotels, airplanes, and campaign logo (but not on the failed steaks, wine, or university) – is Akzidenz Grotesk.
Budweiser has announced that it’s rebranding its beer “America” for the duration of the U.S. election season. It’s not the first America-first stunt the brewery has pulled, notes Mark Wilson in Fast Co Design: previous summer-only editions have featured the Statue of Liberty and the American flag. But this bit of revisionism is especially thorough: “Almost every bit of type on the Budweiser label has been scrubbed away by Easter Egg patriotism, with new text citing the Pledge of Allegiance, the Star Spangled Banner, and America the Beautiful—all rendered in newly developed hand lettering, inspired by Budweiser’s archives.” For what it’s worth, Budweiser’s parent company, InBev, is headquartered in Belgium and Brazil.
“From the very first moment I heard of the .io TLD a few years ago, I thought it was absolutely fantastic. The geek in me just really responded to the idea of a domain name that ended in IO - the input/output connotation seemed like a perfect fit for web services.” In praise of the .io domain extension. (Russell Beattie)
Bill Simmons, who was ousted by his ESPN overlords from the sports-and-pop-culture site Grantland (which ESPN later shut down, to the general wailing and weeping of the site’s many fans), is starting a new site that promises to be similar to Grantland. He’s calling it The Ringer. Here’s his account of how he arrived at the name, apparently without any professional help, poor fellow. (Hat tip: Lance Knobel)
And for those of you who, like me, care about journalism and its future, here’s “Confessions of a Sponsored Content Writer,” by Jacob Silverman for The Baffler. I hope he was well paid for it, because it’s dynamite, but given the doleful state of affairs he reveals, it’s unlikely. Here’s a tiny excerpt:
But as journalists imitate advertisers and advertisers imitate (and hire) journalists, they are converging on a shared style and sensibility. Newsfeeds and timelines become constant streams of media—a mutating mass of useless lists, videos, GIFs, viral schlock, service journalism, catchy charts, and other modular material that travels easily on social networks—all of it shorn of context. Who paid for this article, why am I seeing it, am I supposed to be entertained or convinced to buy something? The answers to these questions are all cordoned off behind the algorithmic curtain.